James Patterson writes potboiling bestsellers. Big
bestsellers. Big bestsellers overflowing with rape, murder,
and other forms of violent mayhem. Some, such as Along Came
a Spider and Kiss the Girls, become movies. Readers,
who vote at their bookstores, seem to love his stuff.
Reviewers react, at best, with yawns.
I was
aware of Patterson's reputation, although I had never read any
of his books, when I picked up his latest detective/thriller
Four Blind Mice (Little, Brown, 387 pp., $27.95). The
book rocketed up the bestseller lists when it came out in
November; hundreds of thousands of copies were gobbled up by
Patterson's many fans. The few reviews I read were lukewarm.
Here's my
verdict. You could characterize it as ice cold. I found
Four Blind Mice utterly without merit. The plot is
thin; the characters, cardboard. The dialogue does not
approach any speech ever heard outside of an
English-as-a-second-language classroom. The writing is
artless.
Worst of
all, the book contains four of the most sociopathic,
ultraviolent, demonic Vietnam veterans ever presented between
hardcovers.
The plot
involves D.C. detective Alex Cross's quest to discover who
framed his old buddy for the grisly murders of three women.
The buddy is a Nam vet. Similar murders occur; more Nam vets
take the raps. Believe it or not, all is not as it seems, and
Cross and a fellow investigator get to the bottom of things.
The key is--guess what?--a massive atrocity that took place in
Nam. The bad guys are cleaning up the evidence. Why they wait
three decades to do so is an open question.
Cross, in
a plot device lifted from every James Bond movie and countless
other thrillers, is captured by the bad guys--not once, but
twice--but they don't kill him right away. That gives them a
chance to explain themselves and Cross a chance to make
miraculous escapes so that the good guys win.
FICTION IN BRIEF
Kien
Nguyen's The Tapestries (Little, Brown, 311 pp., $24.95)
is mostly a delight to read. This novel of early 20th century
Vietnam has believable characters (a few of whom are perhaps
too broadly drawn) and a roller-coaster plot with plenty of
surprises woven around a Romeo-Juliet theme. The author, an
expatriate who wrote the commendable memoir The
Unwanted, was inspired to concoct this satisfying Emperor's
Palace epic by the stories his grandfather, a former tapestry
weaver, told him as a child.
Russell E.
Savage Jr.'s Doc Randall's Revenge (Protea Publishing,
257 pp., $19.98, paper) is a well-constructed,
semiautobiographical novel that flashes back and forth from
the late sixties to the late nineties. The author, a
top-flight cancer researcher, served as a Marine in the
Vietnam War. To learn more about Marine Vietnam veteran Thomas
T. Kemp's autobiographical novel, The Road From Here to
Where You Stay (E-mail, $10, floppy disk, $11, printed,
$25), go to www.thomaskep.com
Michael J.
Jett's Secret Games (Gardenia Press, 257 pp., $17.95,
paper) is a smooth novel that deals with the capture of a CIA
agent in 1968 in Cambodia. The author served as an Army FAC
and aviation battalion adjutant in Vietnam. Bob Lupo's A
Buffalo's Revenge (iUniverse, 205 pp., $24.95) is a
readable, fast-moving, in-country Vietnam War story that also
deals with the political issues of the late sixties. The
author was an Army medic in Vietnam.
Dan Dane's
Conduct To the Prejudice of Good Order--the Final Years of
the Vietnam War (iUniverse, 190 pp., $14.95, paper) is set
near Bien Hoa in 1971-72 and deals with a drafted Army
attorney's trials and tribulations. The author himself was a
First Cav JAG officer in Bien Hoa during that time. Victoria
Brooks's Red Dream (Greatest Escapes, 321 pp., $15,
paper) is a romantic adventure set in Vietnam and France in
the 1940s, '50s, and '60s, involving a Vietnamese woman, her
French lover, and their Eurasian daughter.
Noted
Vietnamese dissident novelist Duong Thu Huong's Beyond
Illusions (Hyperion, 244 pp., $23.95), written in 1986, has
been published in English for the first time. The book,
translated by Nina McPherson and Phan Huy Duong, follows the
rocky course of a group of young people after the American
War. As she usually does, Duong Thu Huong is not afraid to
criticize the repressive actions of her government.
Sam
McGowan's The Cave (1st Books, $16.50, paper), is a
well-rendered tale that follows a young Air Force EM shot down
while on a secret mission over Laos in 1966. McGowan served as
a USAF C-130 crew member in Vietnam. Richard Galli's Remfs:
Peanuts, Fish Farms, Hog Hormones and Broken Hearts (RGA,
303 pp., $19.95, hardcover; $12.95, paper) is an
autobiographical comic novel based on the author's tour as a
draftee Army interpreter in a Civil Affairs unit on Hue.
Daniel
Buckman's novel, The Names of Rivers (Akashic Books, 197
pp., $21), revolves around ``crazy'' Vietnam veterans. In this
case, one character who was maimed at Khe Sanh and is a
pathetic drunk wallowing in self pity, and another who is
trying to kick his heroin habit. It makes for depressing
reading.
FOR CHILDREN
Newberry Award-winning children's
author Joan Bauer's Stand Tall(Putnam, 184 pp., $16.99)
deals with a 12-year-old boy and his family troubles. One main
character in this well-executed novel aimed at kids ages ten
and up, is the grandfather, a Vietnam veteran who is an
amputee and is portrayed as a positive force in his grandson's
life. ``You've got to welcome people back when they've been
through a war,'' Bauer writes after town folk survive a flood.
``Nobody understands that more than a
Vietnam vet.''
Patrol: An American Soldier in
Vietnam (HarperCollins, $16.95) is a spare, evocative,
poetic look at an American infantryman in the heart of jungle
combat in Vietnam. It is written by prolific children's author
Walter Dean Myers and illustrated by Ann Grifalconi. Myers,
whose Vietnam War novel for young adults, Fallen Angels,
is the best of its genre, here presents a realistic portrait
for the 8-12-year-old audience of an intense African-American
soldier on patrol. The collages by Grifalconi fit the story
well. The book, at heart, contains an antiwar message, mainly
because the soldier, when he comes face to face with the
enemy, puts down his rifle.
KHE SANH UP CLOSE
John Corbett's
West Dickens Avenue:
A Marine at Khe Sanh (Presidio, 208 pp., $24.95) is a
short, readable account of his days on Khe Sanh during the
infamous January-April 1968 siege. Corbett served at Khe Sanh
in a mortar platoon with the 26th Marine Regiment. Within days
after his arrival at the remote outpost near the borders of
Laos and North Vietnam, the NVA siege began. Corbett narrowly
escaped death twice. Once, a sniper's bullet whistled through
his hair; another time he was blown into a bunker by an
artillery blast but was miraculously untouched by the ensuing
rain of shrapnel.
His brief, staccato sentences
effectively convey the siege from a Marine grunt's point of
view.
Corbett skips lightly over his last
nine months in Vietnam, during which he saw plenty more combat action. His brief description
of his less-than-overwhelming homecoming reception rings true. The book's odd title comes from
a discarded American street sign Corbett found while digging his personal foxhole at Khe
Sanh.
NONFICTION IN BRIEF
Tad Bartimus. Denby Fawcett. Jurate
Kazickas. Edith Lederer. Ann Bryan Mariano. Anne Morrisy Merick. Laura Palmer. Kate
Webb. Tracy Wood. Gloria Emerson. Those ten women have one thing in common: they did
their time as correspondents in the Vietnam War. These women tell their stories--and they
tell them very well--in war torn: Stories of War from the Women Reporters Who Covered Vietnam
(Random House, 291 pp., $24.95). Emerson provides a spectacular introduction,
and the others offer evocative and often moving accounts of their wartime experiences.
Freedom: A History of US (Oxford
University, 405 pp., $40) is the hardcover companion to the 16-part PBS documentary series
of the same name that began airing in January. Author Joy Hakim offers a very readable look at
American history. Her coverage of the Vietnam War is concise and accurate. It centers on
the Johnson and Nixon administrations and the antiwar movement. The United States, she says,
went into Vietnam ``with the best of intentions.'' We ``are involved in Vietnam for thirty
years,'' she notes, but ``we can't seem to extricate
ourselves,and we never understand the
Vietnamese.''
Leo Daugherty's
The Vietnam War Day
by Day (Lewis International, 192 pp., $29.95) is a coffee-table sized, chronological,
profusely illustrated look at the wars in Indochina from
1954-75. Daugherty, a former editor of The Marine Corps
Gazette, also includes political happenings from the home front and
sidebars that highlight tactics, strategy, and individuals.
Steven L. Waterman's
Just A Sailor:
A Navy Diver's Story of Photography, Salvage, and Combat (Ballantine, 284 pp., $6.99,
paper) is a cleanly written memoir of the author's naval career, which began in 1964 and
included an action-filled Vietnam War tour with the Navy's Underwater Demolition Team 13. Also
new in paper: former CBS TV correspondent John Lawrence's sprawling, readable account
of his Vietnam War experiences, The Cat From Hue (Public Affairs, 864 pp., $18).
The Columbia Guide to the Vietnam
War (Columbia University, 308 pp., $45, edited by David L. Anderson, the University of
Indianapolis historian, is a meaty reference book that has four valuable main components: a
concise history of the Indochina Wars; an A-Z encyclopedic listing of names, places, dates, and
other war-related items; an in-depth chronology; and a
well-annotated list of Vietnam War resources and documents.
The newly reissued paperback version
of The Oxford Book of Military Anecdotes (Oxford University, 513 pp., $16.95),
edited by Max Hastings, contains dozens of war-related tales arranged chronologically from
biblical times to the Faulklands War. Hastings' Vietnam War essays are excerpts from Bernard
Fall's Street Without Joy, Philip Caputo's A Rumor of War, and a magazine article by
former war correspondent Nicholas Tomalin.
Michael C.C. Adams's
Echoes of War:
A Thousand Years of Military History in Popular Culture (University Press of
Kentucky, 288 pp., $29) is an examination of the relationship between popular culture and war. In
it, the Northern Kentucky University military historian looks briefly at the Vietnam War, focusing
mainly on My Lai. His conclusion: ``The atrocities committed by both sides in Vietnam are
not aberrations but pieces of a broader pattern in world military history.''
The 1994 edition of
The Art of
War, recently republished by MetroBooks (375 pp., $7.98), is an excellent translation of
the brilliant Sun-tzu's classic work of military strategy by Ralph Sawyer. The book includes a
detailed introduction and commentary and examination of the history of Chinese warfare and
military thought. Barrett Tillman's Above and Beyond: The Aviation Medals of Honor
(Smithsonian Institution, 280 pp., $29.95) contains
well-rendered profiles of the more than one hundred American
pilots and crewmen who have received the MOH, including 19 men from the
Vietnam War.
Jami Janes's
Almost Back: The
Brenda Cavanaugh Story (New Century, 304 pp., $34, hardcover, $25, paper) is the moving
story of a woman whose husband, Dick Genest, survived a year in the Vietnam War, only to be
killed on the last day of his tour when the truck he was riding in on Thunder Road ran over a
land mine. At the heart of the book are excerpts from letters Dick wrote home from Vietnam.
The Free Speech Movement:
Reflections on Berkeley in the 1960s (University of California, 672 pp., $55, hardcover;
$19.95, paper), edited by Robert Cohen and Reginald E. Zelnik,
is a collection of articles and first-person testimonials from
former students and professors dealing with the events that
roiled the UC Berkeley campus, including anti-Vietnam War
protests.
Lucy G.
Barber's Marching on Washington: The Forging of an American
Political Tradition (University of California, 358 pp.,
$34.95) closely examines six big D.C. demonstrations,
including Vietnam Veterans Against the War's Operation Dewey
Canyon II in April 1971.